AQA GCSE English Literature Examiner Report 2023: Summary

Nick Redgrove

Written by: Nick Redgrove

Reviewed by: Deb Orrock

Last updated

In my nearly 15 years in education, I have worked hard to develop my understanding of exactly what examiners want from my English Literature students. 

As teachers, we all know that examiner reports are a treasure trove of useful tips and tricks, but it can be hard to know what to do with this vital information. 

This article provides a concise summary of the key points from the 2023 AQA GCSE English Literature examiner reports for Paper 1: Shakespeare and the 19th-century novel and Paper 2: Modern texts and poetry

I have also included some ways you can incorporate the reflections and recommendations of lead examiners from these reports into your classroom practice. This will benefit all of your students, including interactive and group activities that my students always loved.

Key takeaways

Key Takeaway

Explanation

Strong responses used a clear thesis statement

The best answers opened with a focused argument that guided the response

Precise references are more effective than long quotations

Examiners do not expect memorised passages — short, well-chosen references work best

Students should engage with the question directly

Answers that drifted off-topic or followed pre-prepared structures performed poorly

Overuse of historical context weakens analysis

Context should be linked to the question rather than included as unnecessary background information

Writer’s methods can include structure, motifs, and characterisation

Many students still focus only on language; broader analysis is often more successful

Time management was generally good, but some issues remain

Some students spent too long on comparative poetry or unseen poetry tasks

Students need to critically assess online revision materials

Many responses relied on (and sometimes repeated) generic analysis from external sources rather than original thinking

Effective structure is more important than rigid formulas

A “quotation–analysis–context” model can limit depth of response if applied too rigidly

Common strengths

Paper 1: Shakespeare and the 19th-century novel

  • Many students structured responses well, using thesis statements to guide their arguments

  • Stronger students referenced key moments in the text rather than just memorised quotations

  • Understanding of writer’s methods is improving, with more students discussing structure and characterisation

  • Some excellent use of context was evident — but only when it was relevant to the task

  • Students analysed Macbeth’s transformation well — successful responses compared his early bravery (“valiant Macbeth”) to his later desperation (“Give me my armour”) to explore Shakespeare’s portrayal of masculinity

  • The best A Christmas Carol responses explored Scrooge’s greed through structure, starting with his early miserliness, linking to the Ghost of Christmas Present’s warnings, and concluding with his redemption

  • Students responding to Romeo and Juliet often structured responses effectively, linking Juliet’s emotions in the extract to her broader arc of isolation and defiance

Paper 2: Modern texts and poetry

  • Students engaged well with key themes, particularly power and responsibility in An Inspector Calls

  • The best poetry comparisons were thoughtful and well-selected, rather than overly structured

  • Many students excelled in unseen poetry, showing strong skills in interpretation and imagery analysis

  • In An Inspector Calls, students successfully linked setting to themes, discussing how the claustrophobic dining room reflected upper-class isolation from responsibility

  • For the Power and Conflict poetry question, strong responses compared tyranny in “Ozymandias” to oppression in “London”, analysing how both poems critique unchecked authority

  • Students tackling unseen poetry engaged particularly well with “Scaffolding”, exploring how imagery of ladders and bridges symbolised relationships evolving over time

Common areas for improvement

Paper 1: Shakespeare and the 19th-century novel

  • Pre-prepared introductions (e.g., “the eponymous hero…”) often failed to engage with the question

  • Formulaic responses limited analysis — students should be encouraged to explore ideas more flexibly

  • Context should support analysis, not dominate responses with unnecessary historical detail

  • Some Macbeth responses misinterpreted masculinity in the extract, focusing only on his warrior status (“Give me my armour”) rather than his psychological decline

  • For A Christmas Carol, many students provided unnecessary biographical details about Dickens (e.g., his own childhood poverty) instead of linking context to Scrooge’s transformation

  • Weak responses to Jekyll and Hyde often explained 19th-century fears about science without linking them to Stevenson’s depiction of duality, meaning AO3 was not properly integrated

Paper 2: Modern texts and poetry

  • Comparative poetry responses should be natural, not forced — the best answers analysed each poem separately before drawing meaningful links

  • Structural analysis needs depth — students should avoid vague comments about rhyme schemes or enjambment.

  • Overuse of generic social/historical context weakened responses — students should focus on the text’s ideas

  • In An Inspector Calls, some responses fixated on class divisions in 1912, but didn’t link this clearly to the play’s characters and their development

  • Some students tackling ‘My Last Duchess’ misinterpreted the poem as a love story rather than a critique of power and control, which led to inaccurate analysis

  • In unseen poetry, weaker responses only identified literary techniques (e.g., alliteration or enjambment) without explaining their effects, limiting AO2 marks

Key examiner advice

For all papers

  • Teach students to use a clear thesis statement—this keeps responses structured and focused

  • Encourage well-selected references rather than forcing full quotations

  • Help students engage critically with questions rather than applying generic analysis

  • Broaden the understanding of writer’s methods — structure and characterisation are just as important as language

  • Make poetry comparisons natural, not forced — separate analysis followed by meaningful links is more effective

  • Remind students to manage their time effectively, particularly in poetry comparison and unseen poetry

How to use the examiner report in the classroom

Research in metacognition and self-regulated learning suggests that students perform better when they are explicitly taught how to reflect on their own thinking and learning processes (EEF, 2018). 

One powerful way to do this is to show students summaries of examiner reports (you could even show them excerpts of this article) and ask them to identify any common pitfalls, or high-scoring strategies, that they’ve shown in their own (or a peer’s) work. 

I found that this not only demystifies the assessment process, but also encourages students to take ownership of their improvement — something all teachers want of their students!

Addressing common issues

Below are targeted classroom activities that I have used to address specific areas for improvement highlighted in the examiner reports. Most of these are interactive or group activities, and my students always loved any activity that involved a competition!

Issue identified in examiner reports

Classroom activity to address it

Students struggle to write focused responses that fully address the question

Examiner Hot Seat (Elaborative Interrogation): Ask students to come up with an argument about a character or theme from a set text (e.g. “Lady Macbeth is not responsible for King Duncan’s murder”). In pairs, one student plays the examiner while the other plays the student defending their response. The "examiner" must ask why their partner’s answer meets or fails to meet examiner expectations. Swap roles after 5 minutes.

Students use pre-prepared, generic introductions rather than engaging with the question

Thesis Statement Drills: First, ask a student to make up an exam question and live-model writing a thesis on the white board. Then provide three different essay questions and have students write a one-sentence thesis for each in under five minutes. Then, peer-review: does each thesis directly address the question?

Quotations are often too long or not well-integrated

Quotation Selection Challenge: Give students a list of key (but long) quotations from a text. Ask them to select five words from each quotation that best support an argument. Then, get them to choose just three words, then finally just one word. They can do this in pairs, or even teams, to stimulate debate. Model on the white board how the use of one judiciously chosen word can support an argument.

Students struggle with structure and writer’s methods beyond just language

Method Spotting Challenge: Read an extract together on the white board and ask students to come up and annotate the text: where do we see structure, characterisation, or motifs at work? Then students complete a group activity annotating an extract on poster-sized A2 sheets. The team with the most non-language (and, crucially, explained) methods wins.

Time management issues — some students spend too long on certain questions

Timed Writing Intervals: Get students used to exam time-pressure by always using a white-board timer when they complete writing exercises. You can use this for even 5-minute tasks (like writing a thesis statement) to help build confidence.

By incorporating these metacognitive strategies, teachers can help students internalise examiner expectations, leading to more confident, structured, and insightful responses in the GCSE English Literature exam.

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References

Education Endowment Fund: “Metacognition and Self-regulated Learning”

“Improving Students’ Learning With Effective Learning Techniques”, 2013, Dunlovsky et al, Association of Psychological Science

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Nick Redgrove

Author: Nick Redgrove

Expertise: English Senior Content Creator

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

Deb Orrock

Reviewer: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.

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