AQA GCSE English Literature Examiner Report 2023: Summary
Written by: Nick Redgrove
Reviewed by: Deb Orrock
Last updated
Contents
In my nearly 15 years in education, I have worked hard to develop my understanding of exactly what examiners want from my English Literature students.
As teachers, we all know that examiner reports are a treasure trove of useful tips and tricks, but it can be hard to know what to do with this vital information.
This article provides a concise summary of the key points from the 2023 AQA GCSE English Literature examiner reports for Paper 1: Shakespeare and the 19th-century novel and Paper 2: Modern texts and poetry.
I have also included some ways you can incorporate the reflections and recommendations of lead examiners from these reports into your classroom practice. This will benefit all of your students, including interactive and group activities that my students always loved.
Key takeaways
Key Takeaway | Explanation |
Strong responses used a clear thesis statement | The best answers opened with a focused argument that guided the response |
Precise references are more effective than long quotations | Examiners do not expect memorised passages — short, well-chosen references work best |
Students should engage with the question directly | Answers that drifted off-topic or followed pre-prepared structures performed poorly |
Overuse of historical context weakens analysis | Context should be linked to the question rather than included as unnecessary background information |
Writer’s methods can include structure, motifs, and characterisation | Many students still focus only on language; broader analysis is often more successful |
Time management was generally good, but some issues remain | Some students spent too long on comparative poetry or unseen poetry tasks |
Students need to critically assess online revision materials | Many responses relied on (and sometimes repeated) generic analysis from external sources rather than original thinking |
Effective structure is more important than rigid formulas | A “quotation–analysis–context” model can limit depth of response if applied too rigidly |
Common strengths
Paper 1: Shakespeare and the 19th-century novel
Many students structured responses well, using thesis statements to guide their arguments
Stronger students referenced key moments in the text rather than just memorised quotations
Understanding of writer’s methods is improving, with more students discussing structure and characterisation
Some excellent use of context was evident — but only when it was relevant to the task
Students analysed Macbeth’s transformation well — successful responses compared his early bravery (“valiant Macbeth”) to his later desperation (“Give me my armour”) to explore Shakespeare’s portrayal of masculinity
The best A Christmas Carol responses explored Scrooge’s greed through structure, starting with his early miserliness, linking to the Ghost of Christmas Present’s warnings, and concluding with his redemption
Students responding to Romeo and Juliet often structured responses effectively, linking Juliet’s emotions in the extract to her broader arc of isolation and defiance
Paper 2: Modern texts and poetry
Students engaged well with key themes, particularly power and responsibility in An Inspector Calls
The best poetry comparisons were thoughtful and well-selected, rather than overly structured
Many students excelled in unseen poetry, showing strong skills in interpretation and imagery analysis
In An Inspector Calls, students successfully linked setting to themes, discussing how the claustrophobic dining room reflected upper-class isolation from responsibility
For the Power and Conflict poetry question, strong responses compared tyranny in “Ozymandias” to oppression in “London”, analysing how both poems critique unchecked authority
Students tackling unseen poetry engaged particularly well with “Scaffolding”, exploring how imagery of ladders and bridges symbolised relationships evolving over time
Common areas for improvement
Paper 1: Shakespeare and the 19th-century novel
Pre-prepared introductions (e.g., “the eponymous hero…”) often failed to engage with the question
Formulaic responses limited analysis — students should be encouraged to explore ideas more flexibly
Context should support analysis, not dominate responses with unnecessary historical detail
Some Macbeth responses misinterpreted masculinity in the extract, focusing only on his warrior status (“Give me my armour”) rather than his psychological decline
For A Christmas Carol, many students provided unnecessary biographical details about Dickens (e.g., his own childhood poverty) instead of linking context to Scrooge’s transformation
Weak responses to Jekyll and Hyde often explained 19th-century fears about science without linking them to Stevenson’s depiction of duality, meaning AO3 was not properly integrated
Paper 2: Modern texts and poetry
Comparative poetry responses should be natural, not forced — the best answers analysed each poem separately before drawing meaningful links
Structural analysis needs depth — students should avoid vague comments about rhyme schemes or enjambment.
Overuse of generic social/historical context weakened responses — students should focus on the text’s ideas
In An Inspector Calls, some responses fixated on class divisions in 1912, but didn’t link this clearly to the play’s characters and their development
Some students tackling ‘My Last Duchess’ misinterpreted the poem as a love story rather than a critique of power and control, which led to inaccurate analysis
In unseen poetry, weaker responses only identified literary techniques (e.g., alliteration or enjambment) without explaining their effects, limiting AO2 marks
Key examiner advice
For all papers
Teach students to use a clear thesis statement—this keeps responses structured and focused
Encourage well-selected references rather than forcing full quotations
Help students engage critically with questions rather than applying generic analysis
Broaden the understanding of writer’s methods — structure and characterisation are just as important as language
Make poetry comparisons natural, not forced — separate analysis followed by meaningful links is more effective
Remind students to manage their time effectively, particularly in poetry comparison and unseen poetry
How to use the examiner report in the classroom
Research in metacognition and self-regulated learning suggests that students perform better when they are explicitly taught how to reflect on their own thinking and learning processes (EEF, 2018).
One powerful way to do this is to show students summaries of examiner reports (you could even show them excerpts of this article) and ask them to identify any common pitfalls, or high-scoring strategies, that they’ve shown in their own (or a peer’s) work.
I found that this not only demystifies the assessment process, but also encourages students to take ownership of their improvement — something all teachers want of their students!
Addressing common issues
Below are targeted classroom activities that I have used to address specific areas for improvement highlighted in the examiner reports. Most of these are interactive or group activities, and my students always loved any activity that involved a competition!
Issue identified in examiner reports | Classroom activity to address it |
Students struggle to write focused responses that fully address the question | Examiner Hot Seat (Elaborative Interrogation): Ask students to come up with an argument about a character or theme from a set text (e.g. “Lady Macbeth is not responsible for King Duncan’s murder”). In pairs, one student plays the examiner while the other plays the student defending their response. The "examiner" must ask why their partner’s answer meets or fails to meet examiner expectations. Swap roles after 5 minutes. |
Students use pre-prepared, generic introductions rather than engaging with the question | Thesis Statement Drills: First, ask a student to make up an exam question and live-model writing a thesis on the white board. Then provide three different essay questions and have students write a one-sentence thesis for each in under five minutes. Then, peer-review: does each thesis directly address the question? |
Quotations are often too long or not well-integrated | Quotation Selection Challenge: Give students a list of key (but long) quotations from a text. Ask them to select five words from each quotation that best support an argument. Then, get them to choose just three words, then finally just one word. They can do this in pairs, or even teams, to stimulate debate. Model on the white board how the use of one judiciously chosen word can support an argument. |
Students struggle with structure and writer’s methods beyond just language | Method Spotting Challenge: Read an extract together on the white board and ask students to come up and annotate the text: where do we see structure, characterisation, or motifs at work? Then students complete a group activity annotating an extract on poster-sized A2 sheets. The team with the most non-language (and, crucially, explained) methods wins. |
Time management issues — some students spend too long on certain questions | Timed Writing Intervals: Get students used to exam time-pressure by always using a white-board timer when they complete writing exercises. You can use this for even 5-minute tasks (like writing a thesis statement) to help build confidence. |
By incorporating these metacognitive strategies, teachers can help students internalise examiner expectations, leading to more confident, structured, and insightful responses in the GCSE English Literature exam.
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References
Education Endowment Fund: “Metacognition and Self-regulated Learning”
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