British Novel: What The Question Is Asking (Edexcel GCSE English Literature)
Revision Note
Written by: Nick Redgrove
Reviewed by: Kate Lee
British Novel: What The Question Is Asking
The examination requires you to write about a Post-1914 British play or novel. You have a choice from four play texts or four novel texts. The novels are:
Animal Farm – George Orwell
Lord of the Flies – William Golding
Anita and Me – Meera Syal
The Woman in Black – Susan Hill
Coram Boy – Jamila Gavin
Boys Don't Cry – Malorie Blackman
In Section B you are required to answer one essay question on the text you have studied. This is a closed-book examination, meaning that you will not have access to a copy of the text in the exam.
The guide below will enable you to approach Section B on your chosen text with confidence. This is divided into:
Overview
Breaking down the question
Top tips
Overview
The Edexcel GCSE English Literature examination consists of two sections and lasts for 1 hour and 45 minutes. You should spend approximately 50 minutes on Section B, which is focused on a Post-1914 British play or novel that you have studied. You are required to answer one essay question from a choice of two.
The question will focus on one or more of the following areas:
Plot
Setting(s)
Character(s)
Theme(s)
Each question will be preceded by a short quotation from the text:
You should use this quotation as a stimulus for your response
It is important that you understand which assessment objectives are being examined in this section:
For Section B you are assessed on AO1, AO3 and AO4
The maximum marks for the question are 40:
AO1 (16 marks) and AO3 (16 marks) are the dominant assessment objectives, accounting for a total of 32 marks
There is also a mark out for 8 for AO4, which assesses the accuracy of spelling, punctuation and grammar
You should aim to spend approximately 50 minutes on Section B. The suggested timings are:
4 minutes |
|
5 minutes |
|
35 minutes |
|
6 minutes |
|
Examiner Tips and Tricks
It is worth remembering that AO3 (context) carries a notional 40% of the marks (50% if you discount marks for SPaG). This does not mean that half of your response needs to be solely contextual material. Context should be used sparingly to inform and support a literary response, rather than being included in “bolt-on” chunks for its own sake.
Furthermore, the emphasis on context can enable you to write about contemporary issues of particular interest to you. Such an approach is recommended, as long as it remains relevant and focused on the ideas explored in your chosen novel, the terms of the chosen question and on the requirements of the assessment objectives.
Breaking down the question
For this question, you will be given two question options, each containing a quotation. You will then be asked to consider the novel using this quotation. The most common mistake students make in exams is not thoroughly understanding the question. By paying close attention to the question and understanding it thoroughly, you can significantly enhance your exam performance.
Below is an example of this task from the Post-1914 section:
Top tips
Make a short plan before embarking on writing the essay, but avoid spending too long on it
Strong answers focus on the quotation in the question, and present a well-considered discussion that specifically addresses this prompt
The examiner is looking for a personal judgement which is informed and evidenced through references to the text
Start your answer using the wording of the question:
This demonstrates to the examiner that you have understood both the question and the text
Ensure you are answering the question, rather than what you think is being asked:
Avoid the temptation to write about your preferred area for discussion, rather than responding to the question you have been set
The quotation in the question will usually propose that a particular theme or idea is central or important to your novel
Therefore, make sure your answer focuses on this particular theme or idea, not one that you think is more important
Consider your own impressions in relation to the quotation before you begin to write, rather than forming an opinion during the course of writing your response
Ensure all points are fully developed and, where possible, consider alternative interpretations
Ensure your response keeps a clear focus on the question and does not attempt to retell the plot:
Strive to provide an informed, personal response, steering clear of mere repetition of pre-prepared material
Continually refer back to the question in order to maintain your focus
Integrate the contextual comments throughout your response rather than having bolt-on paragraphs:
The integration of context within paragraphs (rather than a couple of “context sentences” at the end of a paragraph) will move your response to a higher level
Often AO3 is naturally illustrated through the actions, events, themes and characters of the play
Keep your textual references succinct:
Textual references should be accurate and discerning and should fully support the points you make
One- or two-word examples are often much more successful than longer quotations
Also make sure that your selection of quotations is directly relevant to the focus of the question:
Deconstruct the quotations you choose, analysing each one in detail
You can include word-level analysis, exploring the effect of single words, but you also need to think about how elements combine to create meaning
Allow yourself several minutes to proofread your work to check for any errors, given that AO4 is worth fully 8 marks
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