The Emigree (AQA GCSE English Literature)
Revision Note
The Émigrée
Each poetry anthology in the GCSE contains 15 poems, and in the poetry question in the exam you will be given one poem on the paper - printed in full - and asked to compare this given poem to one other from the anthology. You will not have access to the other poems in the exam, so you will have to know them very well from memory. Fifteen poems is a lot to learn. However, understanding four things will enable you to produce a top-mark response:
The meaning of the poem
The ideas and messages the poet wanted to convey
How the poet conveys these ideas and messages through their methods
How do these ideas compare and contrast with the ideas and themes of other poems in the anthology
Below is a guide to The Émigrée by Carol Rumens, from the Power and Conflict anthology.
It includes:
Overview: a breakdown of the poem, including its possible meanings and interpretations
Writer’s methods: an exploration of the poet’s techniques and methods
Context: an exploration of the context of the poem, relevant to its themes
What to compare it to: ideas about which poems to compare it to in the exam
Overview
In order to answer an essay question on any poem, it is essential that you understand what it is about. This section includes:
The poem in a nutshell
A ‘translation’ of the poem, section-by-section
A commentary of each of these sections, outlining Rumens's intention and message
The Émigrée in a nutshell
The Émigrée was written by the British poet Carol Rumens and was published in 1993. An emigree is a woman who has chosen or been forced to leave her home country and live somewhere else. The poem explores the experience of a female speaker who has had to leave her homeland due to war and tyranny. Even though the speaker can never return to her home, it is still important to her and she keeps it alive through memory. The poet explores the themes of the power of memory, the conflict between memory and time, the conflict between memory and reality and the conflict between childhood and adulthood.
The Émigrée breakdown
Lines 1-8
“There once was a country… I left it as a child
but my memory of it is sunlight-clear
for it seems I never saw it in that November
which, I am told, comes to the mildest city.
The worst news I receive of it cannot break
my original view, the bright, filled paperweight.
It may be at war, it may be sick with tyrants,
but I am branded by an impression of sunlight.”
Translation
The poet opens with a mysterious first sentence about a non-specified country that the speaker had to leave as a child
She looks at her home city through the rose-tinted glasses of a child
This means she can only remember the good aspects of living there, and the “worst news” she hears about it can’t diminish the good memories, which hold her to it like a “filled paperweight”
Her memories are described as clear as sunlight
She doesn’t remember the city in bleak times, as represented by “November” when the city changed
We also learn why she had to leave her city, due to war or tyrannical oppression
Rumens's intention
The opening line establishes a fairy-tale quality, similar to “Once upon a time”, to highlight the fact that the speaker’s home is described as a memory rather than a reality
The poet is showing how the home the speaker remembers is romanticised by the idealism of youth
It probably was never as perfect as the speaker remembers, but the positive memory is “branded" or scarred on to her skin
Here, the poet is commenting on the unreliability of memory, and the conflict between memory, nostalgia and reality
Lines 9-16
“The white streets of that city, the graceful slopes
glow even clearer as time rolls its tanks
and the frontiers rise between us, close like waves.
That child’s vocabulary I carried here
like a hollow doll, opens and spills a grammar.
Soon I shall have every coloured molecule of it.
It may by now be a lie, banned by the state
but I can’t get it off my tongue. It tastes of sunlight.”
Translation
The speaker remembers the white streets of the city where she spent her childhood and the graceful slopes that become clearer in her memory over time
She is separated further from the city by the “frontiers" that rise and “close like waves”
This also implies that the city is drastically different from the one she left as a child
The speaker reflects on the fact that, when she left, she had a “child’s vocabulary” and limited knowledge of life
It didn’t contain anything, like a “hollow doll”
But soon she will be able to recall every word of this language (“every coloured molecule of it”), which she reflects may well be banned or not exist anymore
However, this doesn’t erase the positive memories she carries
Rumens's intention
The poet uses the theme of language to show how the speaker has not moved on from her childhood
With her new home, the speaker will have needed to take on a new language and customs
But she doesn’t want to erase her relationship and memory of her original home, which is why she holds onto her first language and childhood memories so closely
The poet is commenting on the complexity and internal conflict of the emigrant experience
The poem also represents the conflict between childhood memories and the reality of being an adult
Lines 17-25
“I have no passport, there’s no way back at all
but my city comes to me in its own white plane.
It lies down in front of me, docile as paper;
I comb its hair and love its shining eyes.
My city takes me dancing through the city
of walls. They accuse me of absence, they circle me.
They accuse me of being dark in their free city.
My city hides behind me. They mutter death,
and my shadow falls as evidence of sunlight.”
Translation
The speaker reveals that she has no way to return to her home city
Instead, her city comes to her in the form of innocent memory and nostalgia (as represented by the colour white)
The poem personifies the city as someone she loves and cares for
It “lies down” in front of her, “docile as paper”, suggesting the city submitted to what happened to it
The narrator spends time improving and adoring its appearance, trying to return it to its former glory
She again personifies her city by taking her dancing through her new “city of walls”
This part of the stanza can be interpreted as a description of the narrator’s new city, in which she feels trapped, different and persecuted
But the stanza finishes again with a reference to the “sunlight”, in which she will protect her memories and identity from her homeland
Her “shadow” is proof that the sun still shines
Rumens's intention
The poet’s intentional reference to “passport” suggests the restrictions and control humanity places on borders and travel
The poet uses a more threatening tone in the final four lines. We are not sure who “they” are - only that they are different from the speaker
The narrator experiences discrimination and prejudice in her new home, which suggests she is a refugee trapped in a country that is not her own
There are no specific names of cities or countries mentioned
This creates a sense of the universality of the conflict and difficulties emigrants can experience when being forced to leave their homes due to war or occupation
Writer’s Methods
Although this section is organised into three separate sections - form, structure and language - it is important to take an integrated approach to AO2, focusing on the main themes and ideas of the poem and then evaluating how Rumens's choices of language, structure and form contribute to these ideas. In essence, how and why the poet has made the choices they have, in relation to their intentions and message.
Focusing on the poet’s main ideas, rather than individual poetic techniques, will gain you far more marks. In the below sections, all analysis is arranged by theme, and includes Rumens's intentions behind her choices in terms of:
Form
The poem is written mostly in the form of free verse in the first person with no rhyme or rhythm. By not using a set form, the poet explores the idea of freedom and the relationship between people and their homes, as she is not bound by convention. It could also imply the free and unreliable nature of memory.
Theme | Evidence | Poet’s intention |
Freedom versus control | Free verse with no rhyme or rhythm | This could represent the chaos and lack of control in a country with no stable government |
But along with the positive imagery used in the poem, it is more likely to represent freedom | ||
It could also reflect the lack of control and order we have over our memories, which can be unreliable | ||
One other interpretation is that the lack of pattern reflects the speaker’s state of mind, which although is positive in many ways, is also unsettled and divided |
Structure
Rumens structures the poem into three separate stanzas which explore the power of memory and the conflict between freedom of her memories with the confinement of her current situation.
Theme | Evidence | Poet’s intention |
The power of memory | The first two stanzas are eight lines each, but the final stanza has nine lines | This could indicate that the speaker can’t let go of the memories and doesn’t want the memories to end |
Each stanza is separate | Stanza 1 gives an overall positive experience of her life as a child in the country she had to leave. This is fixed and will not change | |
Stanza 2 explores whether the speaker can trust her memory which may have become tainted by time and experience | ||
Stanza 3 explores concerns about her identity and current situation | ||
The poem uses enjambment. For example, “I left it as a child/but my memory of it is sunlight-clear…” | This may reflect the fluid nature of her memories and the freedom of memory over real experience | |
The use of enjambment in the line “My city takes me dancing through the city/of walls..” separates the “walls” from the rest of the text | This separates “walls” as an isolated idea, suggesting that she is isolated and trapped | |
The final stanza contains caesura and stops | This emphasises the prison of her experience now - she has no passport and she cannot return to her homeland | |
But it also adds a sense of chaos to the poem which could be interpreted as freedom | ||
The poet uses the repetition of “they” in final stanza | This gives this section of the stanza an accusatory and aggressive tone to make the city seem threatening and hostile | |
The speaker feels separate and divided from her new city’s culture and identity |
Language
Rumens uses several literary devices to demonstrate the clarity and positive nature of her memories, conflicting with reality.
Theme | Evidence | Poet’s intention |
Conflict of memory versus reality | The title of “The Émigrée” is the feminine form of emigre | Rumens has chosen to specify the sex of her narrator |
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| This gives a feminine perspective of the emigrant’s experience |
| The poet uses epistrophe, as every stanza ends with a reference to sunlight | This technique juxtaposes the positive connotations of sunlight with the negative connotations of “branded” |
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| This shows that her love for her country and the memory of it will always outweigh any feelings of pain caused by it |
| Rumens further juxtaposes darkness with light in the line “my shadow falls as evidence of sunlight” | Her “shadow” is proof that the sun still shines, as do her memories and her positive view of her home city |
| Sunlight also serves as a metaphor for her memories of her home city as her memory of it is “sunlight-clear” | Again, this suggests the positivity, light and guidance the speaker associates with her home |
| This is reinforced by further positive imagery, such as “graceful” and “glow” | The speaker looks back with affection, nostalgia and an idealised version of her home city |
| The positive imagery used further juxtaposes with the imagery of war, such as “war”, “tyrants”, “tanks” and “frontiers” | This demonstrates the conflict of her perfect memories with the harsh reality of what she experienced |
| The poet also personifies time in “as time rolls its tanks | This also suggests the conflict between time and memory, as time clouds memories |
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| The speaker is possibly at war with time in order to preserve the perfect memories of her childhood |
| The poem also personifies the city as something that is real and needs protecting | Rumens uses the metaphor “I comb its hair and love its shining eyes” as well as “my city hides behind me” to show the speaker’s love for her former city is now maternal |
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| The speaker is protective of it and her memories of it |
Context
Examiners are clear that you should not write about context separately. It is therefore important that you do not include irrelevant biographical information about Carol Rumens or specific examples of refugee crises from around the world. The best way to include context is to start with the key themes and ideas in the poem, and then include an exploration of why the writer may have chosen to address these themes and ideas. This section has therefore been divided into two relevant themes that Rumens explores:
The power of war and conflict
Rumens's poetry often concentrates on the relationship between identity and culture
The main context of The Émigrée is displacement; the forced upheaval of local people and the need to flee a home country
She wrote the poem in 1993, at a time of great upheaval for thousands of people
However, there is always conflict happening somewhere in the world, forcing people to leave their homes
The poet suggests that the city the speaker leaves may be war-torn or under the control of a dictatorial government
Neither the specific city or country are named
This lack of specific detail is intentional, as Rumens wants her poem to be relevant to as many people as possible
The speaker may have claimed asylum in the new city and doesn’t feel at home there
This reflects the hostility and discrimination refugees can experience in a new country
In this poem, Rumens is highlighting the long-term effects of war and conflict on people and their identity
It shows how so much of our identity is tied to a place
The power of memory
The poem focuses on the memories the speaker has of their former home city
The city represents hope, happiness and clarity
Childhood memories are often the strongest, but they can be unreliable
The speaker confesses that whatever she learns of her home city now, she will always have a positive, fairy-tale and child-like memory of it
The poem suggests that any human conflict and aggression, which forces people out of their homes and country, can never erase human memories
So despite whatever circumstances forced the poem’s speaker to leave their home city, nothing can diminish the perfect, light-filled impression the speaker’s childhood memories have left
In this way, identity is also tied strongly to memory
What to Compare it to
The essay you are required to write in your exam should be an integrated comparison of the ideas and themes explored in two of your anthology poems (the one given on the exam paper and one other). It is therefore essential that you revise the poems together, in pairs, to understand how each poet presents key ideas and themes, in comparison to other poets in the anthology. Given that The Émigrée explores ideas of the power of memory, identity and conflict, the following comparisons would be a good place to start:
For each pair of poems, you will find:
The comparison in a nutshell
Similarities between the ideas presented in each poem
Differences between the ideas presented in each poem
Evidence and analysis of these similarities and differences
The Émigrée and Checking Out Me History
Comparison in a nutshell:
This would be an interesting comparison because the speaker’s reflections in The Émigrée are on her own sense of identity, in a similar way as Agard does in Checking Out Me History. Both speakers suffer a loss of identity as a result of circumstances, or what they have or have not been told.
Similarities:
Topic sentence | Both Rumens and Agard attach a great deal of emotional significance to their cultural identity | |
Evidence and analysis | The Émigrée | Checking Out Me History |
Conflict is shown by Rumens with the aggressive undertones of her choice of language, such as “I am branded by” and “They accuse me” | The violent language connotations used by Agard, such as “Blind me” and “Bandage up me eye” imply the conflict between the speaker’s culture and the one being imposed on him by colonial rule | |
In Rumens's poem, the speaker carried “That child’s vocabulary”, suggesting the strong connection to the language of their childhood and their sense of identity | The importance of language to identity is evident through Agard’s use of Creole to represent the different cultures which have influenced him | |
Rumens also uses light imagery to represent a dreamlike, idealised childhood, representing all that was good | Agard uses light imagery to represent hope, freedom and inspiration | |
For example, “an impression of sunlight”, “the graceful slopes glow” and “It tastes of sunlight” | For example, “Toussaint de beacon”, “A shining star” and “A yellow sunrise” | |
The speaker in The Émigrée is also longing for a return, but she has “no passport, there’s no way back at all” suggesting that even though she feels a sense of cultural belonging and a desire to return to her childhood home, there is a barrier there | The speaker in this poem is longing for a better sense of his history and identity | |
In this way, the speakers in both poems have barriers to their own identity |
Differences:
Topic sentence | Both poets explore conflict and identity in different ways. Rumens's poem is reflective and suggests one’s identity and strength comes from the past and memory, whereas Agard places emphasis on the relevance of facts and history on the person in order to form a sense of identity | |
Evidence and analysis | The Émigrée | Checking Out Me History |
The speaker reminisces fondly about her childhood - uses light imagery in “an impression of sunlight” “the white streets” and “it tastes of sunlight” | The speaker in Agard’s poem is angry and frustrated about the education imposed on him in his childhood, and what was left out | |
The speaker in Rumens's poem is reflecting on somewhere she has left, but knows her own personal history | He is discussing the historic omittance of a large chunk of history that was never taught to him | |
The speaker reflects with fondness and nostalgia on the relationship between where she is now and where she wants to be | The speaker in Agard’s poem does not remember the past he was taught fondly | |
Her memory of the past is stronger than where she is now | He wants to forge ahead with “carving out” his own history and identity | |
These differences demonstrate that identity is a very individual thing |
The Émigrée and Poppies
Comparison in a nutshell:
Poppies by Jane Weir and The Émigrée are both poems that explore the impact of conflict on ordinary civilians, the power and importance their memories have to them and the sense of longing they have for things to be different.
Similarities:
Topic sentence | The speakers of both poems are civilians who are deeply affected by conflict, and who long for things to be different | |
Evidence and analysis | The Émigrée | Poppies |
In The Émigrée, the speaker has lost her original home to war or occupation | In Poppies, the mother has lost a son to war | |
In The Émigrée, the speaker immediately introduces us to her home city via her memory of it, which is “sunlight-clear” | In Poppies, the mother introduces the memory she has of saying goodbye to her son before he went to war via the line “Before you left” | |
The reader experiences the love the speaker has for her homeland via her childhood memories of it | The reader experiences the love the mother has for her son via her memory | |
The speaker remembers her childhood memories of home with nothing but positivity, despite the circumstances | The mother speaks of the desire to return to a childhood memory “like we did when/you were little” | |
There is a conflict between the speaker’s current reality and the joy and love she carries for her home | There is conflict in this poem between the effects of war and the mother’s joy and love for her son | |
The speaker demonstrates maternal instincts in the personification of the city, which she wishes to protect | The mother’s maternal instincts are evident towards her lost son as she “smoothed down your shirt’s/upturned collar” | |
In both poems, the loss is experienced via memory, and both poems evoke feelings of sentimentality |
Differences:
Topic sentence | The Émigrée reflects on the loss of a place and home, whereas Poppies reflects on the grief of losing a person | |
Evidence and analysis | The Émigrée | Poppies |
In The Émigrée, the loss is presented through the personification of a city, and the speaker reflects on losing a place | In Poppies, the mother has lost a son to war, who she longs to hear just one more time | |
In this poem, the loss is not an actual death, but a metaphorical one - of the speaker’s home of her childhood | In Poppies, the mother introduces the memory she has of saying goodbye to her son before he went to war via the line “Before you left” | |
The poet uses more positive language based on her memories of her homeland | The poet here uses more negative imagery to describe the grief and loss of the war | |
The Émigrée is written in free verse with no regular rhythm or rhyme scheme | The structure of Poppies is strong and regular | |
This reflects the lack of power the speaker has to return home | This mirrors how the speaker is holding in her emotions | |
In both poems, the loss experienced is different but equally important |
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