Paper 1 Question 5: Creative Writing (AQA GCSE English Language)

Revision Note

Sam Evans

Written by: Sam Evans

Reviewed by: Kate Lee

Paper 1 Question 5: Creative Writing

In Question 5, you will be set a question that asks you to write either a piece of creative writing or a piece of descriptive writing. Here, we will focus on the creative writing task, which is often structured like a short story.

Overview of Paper 1 Question 5

Paper 1 Question 5 is the writing question. It asks you to apply what you know about imaginative and creative fiction writing, such as in the text you read in Section A, and use these same techniques in your own writing. AO5 rewards you for your ideas, as well as the style and the fluency of your writing. As this task is worth 50% of the paper, it is worth making sure you set aside enough time to answer it well. You should allow 45 minutes for this task.

The Assessment Objectives for Question 5 are AO5 and AO6:

AO5 (24 marks)

Communicate clearly, effectively and imaginatively, selecting and adapting tone, style and register for different forms, purposes and audiences

Organise information and ideas, using structural and grammatical features to support coherence and cohesion of texts

AO6 (16 marks)

Use a range of vocabulary and sentence structures for clarity, purpose and effect, with accurate spelling and punctuation

Overview

  • Question 5 is a writing question

  • Question 5 is worth 40 marks

  • You should aim to write 5-7 paragraphs

  • You should spend approximately 45 minutes on this question

How to approach Paper 1 Question 5

It is important to remember that writers plan their texts deliberately to make the reader respond in certain ways, and think and feel certain things. This task in Question 5 asks you to think about how you can effectively engage your reader and produce a cohesive piece of creative writing. 

When you reach Question 5, you will already have read an example of creative writing. You can use the ideas and structure to inform your answer. You should spend some time thinking about the question: not only the content, but also the order of your ideas. An effective piece of creative writing considers plot, setting and characterisation.

In your answer you must:

  • Plan your writing and order the information into roughly five to seven paragraphs

  • Consider the relevant information you need to give in order to create engaging characters

  • Plan your setting to create an effective mood

  • Use language techniques relevant to the style of writing

Question 5 tests your ability to create a text which is constructed in an appropriate manner.

The creative writing question assesses your skill in crafting a convincing piece of creative writing or short story. The question will be worded according to a specific task, for example:

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Or:

16vgytzcc5cwzsnv-7j6vj2zdz79azzg

It is worth remembering that you will be given a choice of two tasks in the exam: one will be a creative writing task, and the other will be a descriptive writing task. One will also give you a picture as a prompt for your piece of writing, but this could be to write a story or a description, so it is important that you read both options carefully.

Below are some points on how you might approach the task “Write a story with the title ‘Abandoned’”. It is divided into plot, setting and characterisation.

Plot

This task asks you to write a short story. This means you are required to plan your response carefully as you have limited time to create a cohesive plot. It is best to plan how your story will end before you begin writing so that you are in control of your story. Writing a response which has not been planned is likely to have an abrupt ending, or no ending at all, which does not satisfy readers or get you high marks. Your character development will lead the plot; you should decide if your story ends with a clear resolution or with a cliffhanger. Your resolution could be happy, or you can create a tragic ending. 

There are lots of different narrative structures or arcs you could use to plan your story. Bearing in mind you only have 45 minutes, including planning time, your story needs to be controlled and concise. One of the easiest ways to achieve this is to consider Freytag’s Pyramid:

5 part narrative structure Freytag's pyramid

5-part narrative structure

Exposition (setting the scene)

Stick to one main setting and start at the location:

  • Do not include a lengthy “journey” before the main action of your story starts

Hook your reader:

  • Give them clues as to what will happen later, but do not give everything away all at once

Decide which narrative perspective and tense you are going to write your story in:

  • First person “I” and the past tense are easier to control

  • Stick to no more than two characters and introduce them

Employ the five senses to create an atmosphere:

  • The scene’s mood should reflect your main character’s mood

This paragraph could end with an “inciting incident”, which prompts the rising action and moves the story forward

Rising Action

This paragraph should build tension, drama or interest:

  • It should directly lead to the turning point of the story (the “climax”)

This paragraph should also develop your character(s):

  • You could use dialogue, monologue, direct or indirect characterisation to create well-rounded, 3D characters

Climax


This is the turning point of your story:

  • It is the moment everything changes and your character(s) cannot go back

Your protagonist could face an external problem, or an internal choice or dilemma:

  • Their choice is made in this paragraph

You should vary your sentence structure, length and language here for dramatic effect

Falling action

What happens in this paragraph should be as a direct result of the climax paragraph:

  • It shows the consequences

It also should focus on your characters’ thoughts and feelings as a result of the climax of the story:

  • This further develops a sense of characterisation


Resolution or denouement

You can choose to resolve your story, or end on a cliff-hanger:

  • However, a cliff-hanger is not a sudden ending; it is a suspenseful ending

  • It is also important to avoid cliches, such as “I woke up and it was all a dream.”

Your setting and atmosphere could reflect a change from the setting or atmosphere you established in your opening paragraph:

  • Or it could refer back to imagery you used in your opening paragraph to create a cyclical structure

Setting

As this task assesses the ability to communicate clearly, effectively and imaginatively, it is important to consider how to use language constructively in a short story to convey an atmosphere or mood. Building an effective setting is key as it contributes to atmosphere and mood.

  • Your setting should reflect your main character’s mood:

    • You may know this as pathetic fallacy, which reflects the character’s mood in the environment, e.g., “the lonely road”

  • As your setting reflects your character’s mood, your setting may change as the story progresses:

    • Contrasting scenes is an effective way to convey ideas and engage your reader 

      • For example, your story may have started on a sunny afternoon, but may end as the sun sets or as a storm approaches 

    • Whatever way you decide to contrast the scenes, ensure it reflects your character’s mood

  • The best answers have built a clear setting before introducing other information, such as introducing character:

    • Describing setting is best done with sensory language as we experience places with our five senses

    • This means you could describe the dark, light, colours, sounds, smells and weather

    • The best way to clearly create setting is to allow an entire paragraph to describe the scene without confusing readers with other information like who is there

    • Ensure all of your descriptive language builds the same mood and avoid mixing ideas. For example: “The graveyard was dark, cold and smelled like fragrant flowers” is confusing for your reader

  • However, do not give too much away all at once!

    • Keep your reader guessing and asking questions, such as “What is going on?”, “Why is this like this?” and “Who is this?”

    • Think of establishing a setting a bit like the game “Taboo”, in which you have to describe something without stating explicitly what it is

Examiner Tips and Tricks

Remember, Question 5 requires an extended written response. Therefore, the most effective stories will demonstrate a well-planned response which has considered what information is relevant to the reader and the most effective way to order and structure the narrative.

Characterisation

This question asks you to create a short story and therefore you will need to build some elements of detailed characterisation. This means you need to consider what your character(s) represent. They may represent an idea, such as being the victim of abandonment, or as a villain to represent injustice or evil. It is best to limit yourself to two characters in the time you have.

Well-rounded characters are taken on a journey in which a character undergoes some form of development or change. The mark scheme rewards answers which clearly and effectively convey ideas, meaning that you need to consider the most effective ways of building a character in a short piece of writing. Ideally, you should focus more on indirect characterisation than direct characterisation:

Direct characterisation

Indirect characterisation

  • The writer describes the character through narration

  • The writer describes the character’s physical appearance, personality and the things that motivate them

  • It is useful for giving broad details in a sentence or two, but if used too much will result in superficial characters that a reader is not able to relate to or engage with

  • This is “telling”

  • The writer hints to the reader what the character is like

  • An impression is formed of the character through their speech, thoughts and feelings, interactions with other characters and what other characters say or think about them

  • It is useful for developing more complex, well-rounded characters that engage the reader

  • This is “showing”

Here, we will consider how to effectively plan your character(s) to engage your reader. This is what the examiner is looking for in your answer:

Characterisation

Appearance (direct characterisation)

Your character’s appearance may not always be relevant:

  • It is worth considering if it is necessary to describe the colour of your characters’ hair, for example

  • Usually appearance is important if your character represents something, for example, a king, a soldier or someone in trouble

  • Facial expressions or descriptions can convey character effectively, for example, “her tear-stained face” or “he frowned”

  • If you choose to write in first-person, remember that it is rare we describe our own appearance

  • Third-person perspective can describe appearance more effectively 

Movements and body language (indirect characterisation)

One of the most effective ways to describe a character is through their movements:

  • This is the way we judge people most accurately

  • Consider how you can describe your characters’ emotions or circumstances using movements, e.g., “His head dropped”

  • Verbs and adverbs can be used to effectively build characterisation 

  • If you are including dialogue, think about alternative verbs to “said” such as “whispered” or “bellowed”

Monologue (indirect characterisation)

If you use the first-person perspective, a monologue helps readers engage with the character:

  • This creates a personal tone and engagement with the character

  • You can create a character’s ‘voice’ using punctuation, such as short sentences or questions:

    • A short sentence indicates your character may be nervous, for example

  • Using emotive language will help your reader understand your character better

Dialogue (direct and indirect characterisation)

Dialogue can convey the relationships between your characters and provide insights into what other characters think about each other:

  • It is best to limit dialogue in your story, especially if you are not absolutely certain how to punctuate it correctly

  • Use speech marks and punctuation accurately

  • Carefully consider how the dialogue conveys an idea:

    • Do not include dialogue which does not progress the characterisation or plot

Steps to success for Question 5

  1. Read the two task options carefully:

    • Highlight whether you are writing a story or a descriptive piece

  2. Spend five minutes planning your writing:

    • Use a mind-map or a representation of Freytag’s Pyramid to plot out your story

    • Plan your characters - who they are, what they represent and how you will convey this

    • Decide on your narrative perspective - first or third person

  3. Write down some reminders of figurative language or literary techniques to include to add interest and detail to your writing

  4. Write your story, sticking to your plan

  5. Try to leave five minutes at the end to re-read your writing carefully, correcting any obvious mistakes you have made

Exam tips for Question 5

  • Avoid confusing ideas in a paragraph:

    • Each paragraph should focus on one idea

    • Ensure all words are chosen to contribute to the effect you want to create

  • Do not confuse the tenses in a paragraph:

    • If you use a flashback, ensure it is in the past tense

    • If you use present-tense verbs for effect, ensure they are all consistently in present tense 

  • Do not over-use dialogue:

    • Only use dialogue if it drives forward the plot and you are able to punctuate it correctly

  • The highest marks are awarded for students who use complex and sophisticated vocabulary

Recap

  • Carefully consider the plot to construct a cohesive story

  • Build characterisation both directly and indirectly

  • Consider the ‘message’ of your story and how the characters represent this

  • Consider the perspective which will work most effectively for your story

  • Ensure you create an effective mood in the setting description

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Sam Evans

Author: Sam Evans

Expertise: English Content Creator

Sam is a graduate in English Language and Literature, specialising in journalism and the history and varieties of English. Before teaching, Sam had a career in tourism in South Africa and Europe. After training to become a teacher, Sam taught English Language and Literature and Communication and Culture in three outstanding secondary schools across England. Her teaching experience began in nursery schools, where she achieved a qualification in Early Years Foundation education. Sam went on to train in the SEN department of a secondary school, working closely with visually impaired students. From there, she went on to manage KS3 and GCSE English language and literature, as well as leading the Sixth Form curriculum. During this time, Sam trained as an examiner in AQA and iGCSE and has marked GCSE English examinations across a range of specifications. She went on to tutor Business English, English as a Second Language and international GCSE English to students around the world, as well as tutoring A level, GCSE and KS3 students for educational provisions in England. Sam freelances as a ghostwriter on novels, business articles and reports, academic resources and non-fiction books.

Kate Lee

Author: Kate Lee

Expertise: English and Languages Lead

Kate has over 12 years of teaching experience as a Head of English and as a private tutor. Having also worked at the exam board AQA and in educational publishing, she's been writing educational resources to support learners in their exams throughout her career. She's passionate about helping students achieve their potential by developing their literacy and exam skills.