Top Tips for Creating Characters in Creative Writing (AQA GCSE English Language): Revision Note

Deb Orrock

Written by: Deb Orrock

Reviewed by: Nick Redgrove

Updated on

Should my creative writing include characters?

Whether you include characters in your creative writing depends on the task or the picture prompt you are given. Not all pieces of creative writing require characters, but establishing a strong narrative voice is vital to engaging your reader.

Having one or two characters in your writing can add depth, realism and interest to your story, as it can give the reader something to focus on. For example, if the task is to describe a market scene, you can bring your description to life by including elements of characterisation in your description of the people in the scene.

How to create characters in an English exam

Remember that you only have a short amount of time to complete your creative writing. You are rewarded for creating a well-crafted piece of writing, with control and a sense of coherence, so planning is crucial. Most students tend to write their creative writing in the first person, meaning that you “become” the narrative voice and a character in your composition. This does not mean that this character has to be exactly like you; you can use this opportunity to create a persona through which to tell your story. 

It is best in the limited time you have to stick to no more than two characters. Trying to include too many characters will lead to superficial and underdeveloped representations, and may suggest a lack of control in your writing. It is better to stick to 1–2 well developed characters in which you invest time. This will help to bring them to life for your reader.

Before you start writing, plan out your characters (including the narrator if writing in the first person). Note down not just what they look like, but what their personalities are, how they speak and how they move. This can give you a solid basis from which to create well-rounded characters.

How do I develop my characters?

In order to develop your characters, you should consider how you are going to make them matter to the reader. The following are some suggestions for how to do this:

  • Give your characters depth:

    • Think beyond just what they are called and what they look like; consider their age, background, personality and motivations

  • Show, don’t tell:

    • You can show a reader what a character is like through their actions, dialogue, thoughts and interactions

    • This is called indirect characterisation (see below)

  • Use some dialogue to reveal personality:

    • People speak differently depending on their background, mood and personality

    • For example, a confident character might speak in short, direct sentences, while a shy character might hesitate or mumble

    • Dialogue can help bring characters to life, but you should only use it in your exam response when it serves the purpose of moving the story forward; do not use it as a “filler” because you are not sure what to write next

  • Use small details:

    • Consider what quirks, habits or traits you could give a character to make them seem more real

    • For example, your character might be a girl who always twirls her hair when she is lying, or a man who never looks people in the eye because he is hiding something

  • Take your character on a journey:

    • In the best stories, characters change or evolve, often as a result of a problem that they are facing

  • Do some research:

    • Before your exam, look at how famous authors have built their characters

    • Ask yourself: what makes this character interesting?

What techniques should I use to describe my characters?

Creating your characters should go beyond just describing what they look like. Well rounded characters are taken on a journey in which they undergo some form of development or change. 

Exam mark schemes reward answers which clearly and effectively convey ideas, meaning that you need to consider the most effective ways of building a character in a short piece of writing. Ideally, this means focusing more on indirect characterisation rather than direct characterisation:

Direct characterisation

Indirect characterisation

  • The writer describes the character through narration

  • The writer describes the character’s physical appearance, personality and the things that motivate them

  • It is useful for giving broad details in a sentence or two, but if used too much will result in superficial characters that a reader is not able to relate to or engage with

  • This is “telling”

  • The writer hints to the reader what the character is like

  • An impression is formed of the character through their speech, thoughts and feelings, interactions with other characters and what other characters say or think about them

  • It is useful for developing more complex, well-rounded characters that engage the reader

  • This is “showing”

Here are some techniques you can use in order to develop a character through both direct and indirect characterisation:

Characterisation

Appearance (direct characterisation)

Your character’s appearance may not always be relevant:

  • It is worth considering if it is necessary to describe the colour of your character’s hair, for example

  • Usually appearance is important if your character represents something, for example, a king, a soldier or someone in trouble

  • Facial expressions or descriptions can convey character effectively, for example, “her tear-stained face” or “he frowned”

  • If you choose to write in first person, remember that it is rare that we describe our own appearance

  • Third-person perspective can describe appearance more effectively 

Movements and body language (indirect characterisation)

One of the most effective ways to describe a character is through their movements:

  • This is the way we judge people most accurately

  • Consider how you can describe your characters’ emotions or circumstances using movements

  • Power verbs and adverbs can be used to build characterisation effectively

  • For example, instead of your character “walking”, they could be “creeping” or “shuffling” or “striding”

  • If you are including dialogue, think about alternative verbs to “said” such as “whispered” or “bellowed”

Monologue (indirect characterisation)

If you use first-person perspective, a monologue helps readers engage with the character:

  • This creates a personal tone and engagement with the character

  • You can create a character’s “voice” using punctuation, such as short sentences or questions:

    • For example, a short sentence could indicate that your character is nervous

  • Using emotive language will help your reader understand your character better

Dialogue (direct and indirect characterisation)

Dialogue can convey the relationships between your characters and provide insights into what other characters think about each other:

  • It is best to limit dialogue in your story, especially if you are not absolutely certain how to punctuate it correctly

  • You must use speech marks and punctuation accurately

  • Carefully consider how the dialogue conveys an idea:

    • Do not include dialogue which does not progress the characterisation or plot

You've read 0 of your 5 free revision notes this week

Sign up now. It’s free!

Join the 100,000+ Students that ❤️ Save My Exams

the (exam) results speak for themselves:

Did this page help you?

Deb Orrock

Author: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.

Nick Redgrove

Author: Nick Redgrove

Expertise: English Senior Content Creator

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.