Twelfth Night: Plot Summary (OCR A Level English Literature)
Revision Note
Plot Summary
Examiners always praise students who clearly know the plot of the texts they are studying, as having this base of knowledge leads to the best exam responses. Below you will find:
Overview
Twelfth Night is a dramatic comedy written by the playwright William Shakespeare in 1601. The play takes audiences on a whirlwind of tangled romantic schemes and practical jokes. The protagonist, Viola, shipwrecked on unfamiliar shores, disguises herself as a man as she believes her twin brother to be dead at sea. This sets off a series of ridiculous and humorous situations involving mistaken identities, romantic delusions and trickery. The play makes use of typically comedic aspects such as song and dance, which creates a light-hearted tone. However, the play comments on serious themes such as hypocrisy, gender roles and excess. Although the story centres around chaos and confusion, it is resolved at the end with another comedic convention: marriage. In fact, three marriages take place at the end of the play.
Examiner Tip
There is not an expectation that you learn dozens of quotations by heart. Although examiners do reward the use of memorised words or lines in your essay, you are also rewarded for reference to the play’s dramatic, structural and linguistic techniques. In other words, the term “evidence” is not limited to quotations. The mark scheme rewards your ability to mention audience responses at various points of the play and how these convey thematic ideas. These are called “textual references”, and do not have to include direct quotations, but, for the highest marks, must be “precise”. A good example of a precise textual reference would be: “In Act I, Scene I, a shipwrecked Viola believes her twin brother is dead and, vulnerable and alone in a strange land, she decides the best way to survive is to disguise herself as a man.”
In order to make these precise textual references, therefore, it is vital that you know the plot of Twelfth Night inside-out.
Act-By-Act Plot Summary
Act I
Orsino, Duke of lllyria, pines for the love of the Countess Olivia
However, Olivia is in mourning, grieving the death of her brother and denying all male company for seven years
Meanwhile, sailors rescue Viola from a storm at sea and she is brought to the Illyrian shore
Viola believes she has lost her twin brother Sebastian at sea
Feeling vulnerable and in need of work, she disguises herself as a man
She calls herself Cesario and goes to work as a page for Duke Orsino
Viola, now known as Cesario, falls in love with the duke, but in her disguise must say nothing
Orsino sends his page Cesario (Viola in disguise) to court Countess Olivia in his behalf
Unfortunately, Olivia, despite being in mourning, falls in love with Cesario (Viola)
She sends her servant, Malvolio, to propose to Cesario (Viola) on her behalf
Act II
The act opens with Olivia's uncle, Sir Toby Belch, his friend, Sir Andrew Aguecheek, and her servant, Maria, plotting to play a trick on Malvolio
They believe Malvolio to be vain and arrogant and Sir Andrew also wants to marry Olivia
They send a letter to Malvolio and say it is from Olivia:
The plan is to trick him into believing Olivia loves him so he humiliates himself in front of her
The letter details how much Olivia wants Malvolio to dance for her in yellow stockings
Malvolio, desperate to win Olivia’s love, performs a ridiculous dance for her
After the dance Olivia believes Malvolio to be mad and sends him away to be locked up
The audience learns that Viola's twin brother, Sebastian, survived the shipwreck:
He arrives in Illyria with his friend, Antonio:
Antonio is an enemy of the Duke Orsino as he has stolen from him in the past
Examiner Tip
Examiners want to see that you can contextualise the events in the plot looking at scenes with a wider lens and in the context of the whole play. If you know what comes before and after a scene, you can better explain its wider significance and what important developments have happened, or will happen. Therefore, alongside knowing the plot accurately, it is just as important to revise what order things happen in, especially for Twelfth Night, in which an array of deliberately confusing events take place one after the other.
It is crucial to analyse structure in order to see how Shakespeare contrasts scenes, creates tension and conveys ideas across the plot
Act III
Sir Andrew Aguecheek grows jealous of Cesario (Viola) over the Countess Olivia’s love
He declares a duel with Cesario (Viola) to determine who will win Olivia’s love
Sir Toby Belch makes up a rule that they must fight to the death:
At this, neither Sir Andrew Aguecheek or Cesario (Viola) wish to fight
This scene builds tension as Viola (pretending to be Cesario) has not been trained to fight
Antonio, Sebastian’s friend, sees Cesario (Viola) and believes her to be Sebastian (Viola’s twin brother)
He steps in and offers to fight but is arrested once he is recognised by Duke Orsino’s men
The real Sebastian arrives and conflict breaks out between him and Sir Andrew Aguecheek (who thinks Sebastian is Cesario)
Sebastian, a trained soldier, wins the fight
The Countess Olivia invites Sebastian (whom she believes to be Cesario) to her home
Sebastian, confused, decides to stay with her despite her delusion
The act ends as Olivia and Sebastian are married
Act IV
In the dungeons, Malvolio, who has been accused of madness, is teased and tortured by Maria, Olivia’s servant, and Sir Toby Belch
The court jester or fool, Feste, disguised as a priest, involves himself in the trick:
He tries to convince Malvolio that he is actually mad
However, the tricksters begin to think they may have taken it too far, and will, themselves, be punished for their poor treatment of Malvolio:
They allow him to write a letter to Olivia
Act V
Antonio, brought before Duke Orsino, sees Cesario (Viola) and believes her to be Sebastian (Viola’s twin)
He accuses Cesario (whom he thinks is his friend Sebastian) of betraying him to the duke
Fortunately, the real Sebastian enters on a visit to the duke to apologise for his fight with Sir Toby
At this point, Cesario (Viola) sees her brother, Sebastian, and they rejoice
Feste, the fool, brings Malvolio’s letter to the duke and Malvolio is released:
Maria’s fake letter ‘from Olivia’ is exposed
However, Feste declares he will seek revenge on Maria and the others for their tricks
Maria, meanwhile, has married Sir Toby Belch, having fallen in love during their trickery with Malvolio in the dungeons
Duke Orsino, realising his own love for Cesario (Viola), allows Olivia and Sebastian to be together
As the play comes to a close, the duke asks Viola to marry him once she decides to become a woman again
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